Work made in Bitgrain by designers, illustrators, print makers and musicians. Covers, gig posters, zine spreads, brand boards and stills pulled from music videos.
Templates show what the tool ships with. The showcase shows what people do with it once they stop following the template, which is usually more useful if you are trying to work out whether an effect will suit your project.
Every piece here was made with deterministic effects. There is no generated imagery in any of it, which is the point.
The useful thing about seeing finished work is that it tells you which effects survive at which sizes. A fine halftone that looks beautiful on screen may disappear entirely on a printed flyer, and a coarse dither that looks crude at full resolution can be exactly right on a record sleeve.
Most pieces here combine several effects rather than relying on one. A cover might run a film LUT, then a duotone ramp, then a coarse halftone, then newsprint finish, and the interaction between those stages is where the character comes from.
The showcase is drawn from work made by people using Bitgrain. If you have made something with it and want it considered, the contact page has the address to send it to.
Work is credited to whoever made it, and the licence stays theirs. Being in the showcase does not transfer any rights over the piece.
No. Every piece was made with deterministic effects applied to the maker's own imagery. There is no generated content anywhere in Bitgrain.
Yes. Send it through the contact page. Work is credited to whoever made it and the rights stay with them.